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8 June 2023 | Lawrence.Rollier |
EN That dance fascinates. In a creation acclaimed at Sevilla Flamenco Festival, Lucía Álvarez La Piñona extends into movement and emotion the obsession that inhabits her: an obsession for desire and purportedly forbidden pleasures. Through several introspective sequences, she reveals herself without shame or modesty, at the same time vulnerable, excessive and animal. The steps, the guitar, and the full voices of five male interpreters echo the Andalusian artist’s powerful and carnal dancing. Almost a trance, to which the audience member is invited not as an outside look watching but as an insatiable heart as well, invited to blaze.
ES Lucía la Piñona, que se describe como “incansable, exce siva, pasional, sensible y contradictoria”, ha ido en busca de su ser y sus sentires más íntimos, más espirituales y más corpóreos, “dispuesta a empaparse, tambalearse, seducir y desplomarse” (Kiko Valle). En Insaciable, espectáculo estrenado con éxito en la Bienal de Sevilla y triunfante en el de Jerez, Lucía la Piñona explora sus emociones hasta los límites físicos y anímicos de su baile, sin decorado ni dramaturgia, en un viaje esencial construido sobre lo sensorial y guiado por el deseo y la curiosidad.
As part of the FlamencoFestival Esch
Sorry, there’s no English version of this text.
Olé ! Dans cet atelier, partez à la découverte de la danse flamenco avec les artistes du spectacle Insaciable.
With an irresistible phlegm reminiscent of Mr. Bean’s or Buster Keaton’s comicality, Pierric bends over backwards to surprise and bewilder you. Locked in an enigmatic room where the furniture and items come to life, the world magic champion has more than one trick up his sleeve. He surpasses himself to break open both the door’s lock and the audience’s looks. Halfway between burlesque theater and One-Man Magic Show, the goings-on of his escape attempts are no longer under control and trigger hilarity. For his return at Escher Theater, it does look like this full artist, revealed at Avignon’s OFF Festival, is… Raring to go!
Dressed in long white skirts, five proud characters stare at the audience. Are they beings of flesh and blood? Olympian gods? There forever, or mere mortals? Ethereal even when they fall, melodious even when they moan, harmonious even when they pretend to perish, they play and replay their own death all over again. The scenes of agony multiply, with a liberal amount of blood. Based on children’s outlook on death and the after, Swiss artist Tabea Martin invents a cathartic and a tad off-the-wall choreography that questions our representations on the subject, and makes us rather die of laughter than scared to death!
In this workshop, children or/and parents dance, play, and fantasize over the themes from show Forever. Bodies are warmed-up, sentences from the show are danced, the themes are discussed, the children and/or their parents improvise and create. The workshop will be led by Dominique Cardito, a dance teacher and a dancer. Dancing experience is not required.
Ah, white rabbits! Your just need a hat or a pocket, to see them appear, just by magic. They’re like that, they can’t help it… When you grab one, or rather, when the mischievous animal puts his tender little pawn on us, what should we do? Letting him narrate to us his secret and poetic stories, naturally. With a few handkerchiefs, guitar notes and other knickknacks wielded with a lot of dexterity, duo Florschütz & Döhnert appeals to the imagination of the young and less young audience members. The infinitesimal becomes grandiose, the ordinary becomes unique and the scene becomes a cosmos where everything, absolutely everything, becomes possible.
As undeniable as mathematic formula (-)×(-) = (+), two clowns that everything opposes, held by the same desire to play a high-level music score, are going to make the audience shake with laughter. Winners of the audience Prize at Avignon OFF Festival, this athletic man and this virtuoso woman, as expert at violin as at contortion, find some common ground. Without a word said, those two wanderers offer a classical concerto whose immoderation, eccentricity, and comicality are boundless. Already acclaimed at Escher Theater, this show returns with an even more off-the-wall and hilarious version.
cAsA?! Wat ass eng cAsA? En Haus, mat zwou Fënsteren an engem spatzen Daach. An dobanne wunnen eng, zwou, dräi, oder souguer méi Geschichten! Déi eng, déi séngt, déi aner, déi spréngt, an déi leschtgeet spadséieren. D‘Dier geet op, a scho stellen d’Geschichte sech eng noder anerer vir. Moien! En einfachen a lëschtegen Erzielspektakel fir déi ganz Kleng.
Around ZongenZodi, our activity leaders offer you a workshop of games and theatrical improvs.
This workshop is offered as part of “P’tits brunchs du théâtre”: before or after a young-audience show, our team offers you to have a brunch with your kids and take part in activities as a family.
11:00 am or 03:00 pm Show ZongenZodi 12:00 am Brunch (free) 01:00>02:30 pm Parent-child theater workshop (5€)
Eng Geschicht fänkt vir un an hält hannen op. Zwar net! Haut op d’mannst maache mer alles verkéiert a béien et nees grued. A vläicht bleiwen dono e puer wonnerschéi kleng Bëlzen dran. Well wann hanne vir a vir hannen ass, da ka riicht kromm sinn a kromm och riicht, an alles ass nees genee esou, wéi et soll sinn! Oder net? Komm mir setzen den Z op den A an en T virun all Wuert! Wann dann d’Wieder esou richteg schéi geckeg d’ënnescht d’iewescht bonzelen, da kriss de e Knuet an d’Zong… oder an d’Oueren? Oh meng Modi, wat en Zodi, voller Freed um Duercherneen!
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